What Now? 2015: The Politics of Listening
Friday, April 24, 2015, 12.30–7pm.
Saturday, April 25, 2015, 2–6pm.
Saturday, April 25, 2015, 2–6pm.
The New School, Anna-Maria & Stephen Kellen Auditorium
66 Fifth Avenue, New York City — Free admission.
Please RSVP to vlc@newschool.edu
66 Fifth Avenue, New York City — Free admission.
Please RSVP to vlc@newschool.edu
What Now? 2015 is a two-day annual symposium, organized by Art in General in collaboration with the Vera List Center for Art and Politics, which investigates critical and timely issues in contemporary art. Dedicated to the topic of “The Politics of Listening,” the 2015 symposium comprises four panel discussions spanning Friday and Saturday, a keynote delivered by Lawrence Abu Hamdan, and a program of sound installations, audio works, film screenings, and performances.
“What Now? 2015″ examines the idea of listening as a political act, a pedagogical process, and an activity that can lead to the development of an organized protocol for engagement. Opening with an analysis of listening, the symposium considers the scientific definition of the term alongside perspectives on listening that are shaped and informed by diverse social, cultural, technological, and spatial considerations. As keynote speaker Lawrence Abu Hamdan has noted, “Listening is not a natural process inherent to our perception of the world but rather constructed by the conditions of the spaces and times that engulf us”.(1)
In a world in which the production and reception of information encompasses print and digital media, spoken narratives, and the ever-expanding space of social media, the symposium considers how one can listen with agency and intent in an environment characterized by such an onslaught of data. It also explores the often complex relationship between truth and fiction in relation to interpretative listening, media communication, and acts of testimony, translation, and redaction. To what degree are we able to listen to different kinds of intelligences, and how can we incite receptivity? How do we address the fact that the right to listen is relative, and that the right not to listen, or to remain silent, is also a genuine stance? Can we press on and position listening as a political act? And how do we further develop our ability to “listen for what is left out, and why”? (2)
In a world in which the production and reception of information encompasses print and digital media, spoken narratives, and the ever-expanding space of social media, the symposium considers how one can listen with agency and intent in an environment characterized by such an onslaught of data. It also explores the often complex relationship between truth and fiction in relation to interpretative listening, media communication, and acts of testimony, translation, and redaction. To what degree are we able to listen to different kinds of intelligences, and how can we incite receptivity? How do we address the fact that the right to listen is relative, and that the right not to listen, or to remain silent, is also a genuine stance? Can we press on and position listening as a political act? And how do we further develop our ability to “listen for what is left out, and why”? (2)
Highlighting the work of artists and other practitioners interested in expanding dialogue beyond the confines of the art world, “What Now? 2015″ ultimately considers the notion of listening with intent, and imagines new possibilities that might arise when listening involves a more expansive state of activity. How can we take the procedures of listening—which involve disciplined attentiveness and an active questioning—as a means to assist a constituency to find its own power and solutions to diverse sets of problems? How can working across disciplines, or rethinking the processes of how we learn, expand on and deepen our understanding of an issue—ultimately enabling us to listen, and act, with a more informed mind?
The symposium comprises four sessions: An Analysis of Listening; Taking Listening Seriously; Fact, Fiction and the In-between; and Listening Across Disciplines: A Call to Action. Confirmed presenters and panelists includeAnne Barlow, Director, Art in General, New York; Rich Blint, Columbia University School of the Arts; Rashida Bumbray, curator; Gregory Castéra, Co-Director, Council, Paris; Christoph Cox, Hampshire College, Amherst;Joshua Craze, University of Chicago, Illinois; Lauren van Haaften-Schick, curator, writer and artist, New York;Seeta Peña Gangadharan, New America Foundation’s Open Technology Institute, New York; James Hudspeth, The Rockefeller University, New York; Carin Kuoni, Director and Curator, Vera List Center for Art and Politics, The New School, New York; Brian Larkin, Barnard College, New York; Shannon Mattern, School of Media Studies, The New School; Naeem Mohaiemen, artist and writer; Beatriz Santiago Muñoz, artist; Julie Napolin, Eugene Lang College, The New School; Mendi + Keith Obadike, artists; Laurie Jo Reynolds, University of Illinois at Chicago’s School of Art and Art History; Mohammad Salemy, The New Centre for Research & Practice, Michigan; and Kade L. Twist, artist, writer and member of Post-Commodity. Participatory sessions and art projects presented by Bigert & Bergström, Iman Issa, Mendi + Keith Obadike, The Order of the Third Bird, and Wato Tsereteli, Founder, Center of Contemporary Art, Tbilisi, Georgia.
This is the second annual symposium “What Now?,” organized by Art in General in collaboration with the Vera List Center for Art and Politics, as part of Alignment, the Vera List Center’s 2013–15 curatorial focus theme.
A new book series relating to the “What Now?” symposia from 2015 through 2017 will be produced with Black Dog Publishing Ltd., a project that was made possible in part by the Institute of Museum and Library Services.
Art in General would like to extend special thanks to the key funders of “What Now? 2015″: the Institute of Museum and Library Services; the Lambent Foundation; and the Trust for Mutual Understanding for their generous support of this initiative. The Vera List Center would like to also thank the Center’s Advisory Committee.
(1) Lawrence Abu Hamdan (Tape Echo)
(2) UltraRed, in Notes on the Protocols for a Listening Session (Glasgow Variation), in On Listening, edited by Angus Carlyle and Cathy Lane, Uniformbooks 2013, p.33.
*Photo: Emilio Moreno. “Lawrence Abu Hamdan, Conflicted Phonemes, 2012. Installation view from Aural Contract: The Whole Truth, Casco Utrecht, 2012.” Image courtesy of Lawrence Abu Hamdan and Galeri Non.
(2) UltraRed, in Notes on the Protocols for a Listening Session (Glasgow Variation), in On Listening, edited by Angus Carlyle and Cathy Lane, Uniformbooks 2013, p.33.
*Photo: Emilio Moreno. “Lawrence Abu Hamdan, Conflicted Phonemes, 2012. Installation view from Aural Contract: The Whole Truth, Casco Utrecht, 2012.” Image courtesy of Lawrence Abu Hamdan and Galeri Non.
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